BELOW IS A FULL LIST OF MAJOR PROJECTS (IN REVERSE CHRONOLOGICAL ORDER) THAT KAZEMZADEH HAS EXHIBITED NATIONALLY AND INTERNATIONALLY.
NOTE: SOME OF THE PROJECTS WERE COLLABORATIONS WITH OTHER ARTISTS.
- WHITE-WALL SWITCH-HEEL @ FREEDOM (2023)
- PULASKI WHITE-WALL DAYDREAM (2022) Photo
- SKATEBOARDING TRACKING AND DATA VISUALIZATION COURSE DOCUMENTATION (2020)
- POSEIDON’S PULL (REVISITED) PART 1: CHANNELING GESTURES OF A GOD (2018)
- CHAOTIC ISOLATION VS. PEACEFUL REUNION (2017)
- CRATERS BOWL PROJECT (2015-2021)
- PAGGANK DAYWAYGUN (2017) aka. PAGDAY’17
- COLOMBIRITMOS (2017)
- FISHING FOR BUTTERFLIES + BOURGEOISIE (2016)
- BIRDSONG DIAMOND: EAST/WEST COAST MIMIC (2016)
- MADRITMOS (2016)
- RE-DEFINING A LINE: UBIQUITY (2016)
- BEIRITHMS (2014-2016)
- BIRDSONG MIMIC FIELD RECORDING SYSTEM (2015)
- BIRDSONG DIAMOND Times Square (2015)
- WATODESK-ZOOM (2015)
- DABARITHMS: PALM WISH (2014)
- POSEIDON’S PULL (2012)
- GESTURES OF CHANGE (2013)
- JABBERSQUAWKEY (2013)
- THE OTHER SIDE OF THE TRACKS (2012 + 2013)
- JABBERTALKEY (2013)
- CONSCIOUS CONTAINERS (2012)
- BIRDSONG DIAMOND GOVERNORS ISLAND (2012)
- RELIVING THE MYTH OF MELISSANI (2012)
- HACK THE CITY (2012) (TECH. ASSISTANT W/MEDIALAB-PRADO) Site
- REFARM THE CITY KIDS BOARD (2012) w/Hernani Dias
- ECOLAB AT LABORAL IN GIJON (08/2011)
- OSE: OPEN SOURCE EATING (2011) w/ Tan Le
- ISPARKLEBLACKMOLD (2011)
- ANTENKERE (ANT THINKERS) (2011)
- PLANTENKERE (PLANT THINKERS) (2011)
- I.M.PSHOVR (2011)
- ANIMORIGAMI (2011)
- WISHING WELL (2010)
- LILIPOD (2010) with Kelly Andres
- GATEHOUSE/LIGHTHOUSE (2010)
- MAX IS A PUSHOVER (2009)
- 360 SCORE (2008) with Philippe Chatelain
- ANTISOCIALBOTS (2007)
- SPIRAL SUNRISE (2007) with Polak VanBekkum
- TEXELECTRONICA CONFERENCE (2006)
- SPIN.FLICK (2006)
- SUN.DIAL (2006)
- EXPRESS + LOCAL (2006)
- PROCESSING GESTURE (2006)
- CONTROLLING THE WILD WEST (2006)
- SCOURING FOR PREY (2006)
- PUSH ME PUSH YOU (2006) Photos
- TARGET AUDIENCE (2006)
- IT’S LIKE BEING IN A WESTERN MOVIE (2006) Photos
- I.GIVE (2006) Photos
- IS.US (INTERACTIVE SPATIAL ULTRASONIC SYMPHONY) (2006)
- PASSAGE (2006)
- GESTURE COORDINATES (2005)
- CONTENT/CONTEXT (2005)
- L/R I/O (2005)
- VIDEOSHOP (2005)
- BANANA (2005) Photo & Early Version
- FEUD (2004)
- PULSE (2004)
- NEGOTIATIONS (2003) Photo
- HANKERCHIEF 4 (TO THE FOURTH POWER) (2003) Photo
- STRIPMALL CONSTRUCTION SITE (MCKINEY, TEXAS) (2003) Photo
- SPLINT (2004) Photo
- SHOULDERPAD (2004) Photo
- SOUTHPARK (2004) Photo
- CORSAGE (2004) Photo
- BRAIDS (2004) Photo
- GAP (2004) Photo
- HEATED (2004) Photo
- JUST BUSINESS (2004) Photo
- CHEER (2004) Photo
- PA-TIINNNGGG, PA-TEEEAAARRR, TAANNNGGG (2004) Photo
- BANG, BOOM, CRASH (2004) Photo
- BOO-YAAAAAAAAAAAA!!!!!!!! (2004) Photo
- KA-BOOMMM, RA-TA-TAT-A-TA-TA-A-TAT (2004) Photo
- MOUSE AND MAN (MICKEY AND ARNOLD) (2004) Photo
- BRAINS AND BRAWN (LISA AND GEORGE) (2004) Photo
- A SEESAW & A SCOREBOARD (2000)
BELOW IS A LIST OF INTERACTIVE HOLIDAY CARDS KAZEMZADEH CREATED FOR FRIENDS AND FAMILY:
BELOW IS A LIST OF MY RECENT PAINTINGS (2018-2022) WHICH SPAN FROM WORKS ON PAPER WITH WATERCOLOR:
- “ICKEY” SERIES
- ICKEY PORTRAIT #5 (2020) – 44.5″ X 54″ (WATERCOLOR + OIL PASTEL ON PAPER)
- ICKEY PORTRAIT #7 (2020) – 44.5″ X 54″ (WATERCOLOR ON PAPER)
- ICKEY REMEMBERING HIS PORT CITY HOME THAT CONSIDERS BORDERS AS OPPORTUNITIES FOR CULTURAL EXCHANGE (2020) – 52“ X 63““ (GRAPHITE, WATERCOLOR, OIL, ACRYLIC ON PAPER)
- ICKEY‘S EMOTIONAL GPS GOING HAYWIRE IN A BRAVE NEW WORLD (2020) 52″ X 63″ (GRAPHITE AND OIL PASTEL ON PAPER)
- STRIANGULATION (2020) – 52″ X 61″ (GRAPHITE, ACRYLIC, PENCIL ON PAPER)
- PAINTING 1
- PAINTING 1
- PAINTING 1
- PAINTING 1
- PRECURSOR TO “ICKY” SERIES
- EXPERIMENTAL SERIES
- TURNS OUT THAT THE FAKE VAMPIRE TEETH ARE REAL (2020) – 52″ X 66″ (OIL STICK, GRAPHITE, ACRYLIC, COLORED PENCIL ON PAPER)
- MANGO/TARPS (2020) – 57″ X 44.5″ (WATERCOLOR, OIL PASTEL ON PAPER)
- PSEUDODOXIA EPIDEMICA (2020) – 52″ X 62″ (OIL STICK ON PAPER)
- PAPERCLIPS, PEW PENCILS + SHIELDED WIRE TAKE OVER THE CITY (2020) – 52″ X 66″ (OIL STCIK, GRAPHITE, AND PENCIL ON PAPER)